A Noble Pastime
A Noble Pastime
Hunting Pictures from the Collection of the Sarah Campbell Blaffer Foundation
September 21, 2024 – January 11, 2025
The hunt has been a pervasive theme in western art and literature since the time of ancient Greece. The sport, often approaching the status of ritual, was generally heavily regulated and restricted to the nobility, with violators subject to strict penalties including, in some cases, death. A Noble Pastime includes sixteenth- to nineteenth-century representations of various aspects of the chase, such as hunting expeditions, game pieces, and portraits of hunters as well as animals. This exhibition seeks to illuminate various hunting methods, to underscore the role of the hunt as an exclusive pursuit in early-modern European culture, and to emphasize the use of hunting imagery as a conscious tool for fashioning one’s self-identity.
Sponsored by the Sarah Campbell Blaffer Foundation, Houston with additional support from Jon Rex Jones in memory of A.V. Jones Jr., and Nancy & Joe Foran in honor of Doris Miller and Don Fitzgibbons.
JAN FYT, Hounds Resting from the Chase, c. 1650–55, Oil on canvas, 49 x 74 in.
Sarah Campbell Blaffer Foundation, Houston. 1974.1
Jay Shinn: Room With a View
Jay Shinn
“Room With a View”
September 21, 2024 – January 11, 2025
Dallas-based artist Jay Shinn recognizes that “early experiences and interests circle back around and play an important part of who we are as adults, even more so through the art we make.” Shinn embraces early artistic influences of mentors, Op Art and Geometric Abstraction artists, construction, and neon signage in his current work. The fascination and incorporation of neon light, including its optical effects on the space and objects around it, guides Shinn in his creations.
These creations include constructed sculptural objects as well as shaped canvases and panels with painted surface treatments. Shinn’s incorporation of neon lights emphasizes the visual impact of light, pigment, and design. Works on paper hint of the gradations that often occur with an artificial light source that simultaneously distorts, contradicts, and enhances a physical form.
Shinn describes his installation within Room With a View as “the juxtaposition of a jail cell to a hotel room, so similar, yet so different. A view is important to me, either a view that inspires or simply a lifeline to the outside world. The many windows in the cells provided a place for the eyes and minds of those incarcerated to wander into new thoughts. I hope that now with the art inside these cells, the visitor has another view that allows their mind and senses to travel to a new place.”
The 2024 Cell Series of exhibitions is generously supported by the National Endowment for the Arts, Paula & Parker Jameson, and the McGinnis Family Fund of Communities Foundation of Texas, with additional funding from Jay & Barbra Clack, Kathy Webster in memory of Charles H. Webster, and Dr. Larry Wolz.
JAY SHINN, Paradise Central Proof 2, 2019, 6-color lithograph created with neon light, 27.5 x 27.5 in. Courtesy of the artist and Barry Whistler Gallery, Dallas.
Center for Contemporary Arts National Juried Art Show + Exhibition
2024 Juror: Adela andea
ABOUT CCAN
CCAN is a national juried art competition of the Center for Contemporary Arts in Downtown Abilene. This national competition receives over 350 entries submitted from over 30 states. In 2023 the 7th annual national exhibition and competition received over 367entries submitted from 34 states across the United States. 192 works were selected for exhibition in the Center’s Jane Adams Breed Gallery and Gallery 3.
October 5: Reception + Awards. 3-5 pm at the Center for Contemporary Arts.
Rafael López
Rafael López is an internationally recognized illustrator and artist. His illustrations bring diverse characters to children’s books and he is driven to produce and promote books that reflect and honor the lives of all young people. Born and raised in Mexico City to architect parents, López was immersed in the rich visual heritage, music and surrealism of his native culture.
Hard Times Come Again No More: Depression Era Photographs
Second Floor Alice & Bill Wright Photography Gallery
Smithsonian: "Crossroads: Change in Rural America"
Hosted at the Buffalo Gap Historic Village
As we approach Buffalo Gap’s 150th anniversary in 2025, we’re excited to announce that our town has been chosen as one of the select Texas locations to host the Smithsonian Institute’s Crossroads: Change in Rural America exhibit. Buffalo Gap experienced explosive growth in its early days, followed by quieter periods, yet through it all, our community has preserved what makes this town so special. Today, we proudly maintain our rural way of life while still promoting our small local economy. This event offers a unique opportunity to celebrate our rich history, culture, and contributions to the region. Over six weeks, we’ll explore engaging themes that highlight the essence of our town and the enduring spirit of rural communities.
This exhibit isn’t just about looking back; it’s about connecting our past with our present. Each weekend will feature a unique theme, from the heritage of the buffalo to the evolution of ranching and the role of the military, all brought to life through interactive exhibits and events. Our goal is to create an experience that resonates both locally and with visitors, fostering a deeper appreciation for the history and culture that define us all.
HSU Alumni Show
The Art Department at Hardin-Simmons University is thrilled to open the Art Alumni Show this week, hosted in the Ira M. Taylor Gallery. This special event is held in conjunction with HSU’s Homecoming celebrations and promises to be a highlight of the weekend.
Exhibition Details:
· Dates: October 14 - October 26, 2024
· Location: Ira M. Taylor Gallery, at the Frost Center for Visual Arts, Hardin-Simmons University, Abilene, Tx.
Public Reception and Artist Talks:
· Date: Thursday, October 24, 2024
· Time: 5:00 PM - 7:00 PM
· Location: Ira M. Taylor Gallery
· Live Broadcast: The reception and artist talks will be broadcast live on the Art Department’s official Instagram channel.
Join us for an evening of art, conversation, and community as we celebrate the incredible talent of our alumni. The public reception will feature artist talks, providing a unique opportunity to hear directly from the artists about their work and creative processes.
Alumni and Friends Reception:
· Date: Saturday, October 26, 2024
· Time: 5:00 PM - 6:30 PM
· Location: Ira M. Taylor Gallery
In addition to the public reception, a more casual alumni and friends' reception will be held on Saturday evening. This gathering offers a relaxed environment for alumni and friends to reconnect and enjoy the exhibition.
We invite all members of the HSU community, alumni, and the public to join us for these special events. Come and experience the vibrant artistic expressions of our talented alumni and be a part of the Homecoming festivities.
Regular Gallery Hours: Monday - Friday: 8:30 AM - 4:00 PM
Wilderness by Allison Evonne Streett
Exhibition: “Wilderness” by Texas Sculptor Allison Evonne Streett
Dates: September 2 - 20, 2024
Location: Ira M. Taylor Gallery at the Frost Center for the Visual Arts,Hardin-Simmons University, Abilene, Texas
Reception and Artist Talk: September 20, 2024, 5:45 PM - 7:00 PM
Abilene, Texas – The Ira Taylor Gallery at Hardin-Simmons University is proud to present “Wilderness,” an evocative exhibition by renowned Texas sculptor Allison Streett. This exhibition will be on view from September 2 to September 20, 2024, culminating in a special reception and artist talk on September 20th from 5:45 PM to 7:00 PM, as part of the biennial Abilene Outdoor Exhibition and SculpTour.
“Wilderness” explores the complex and often paradoxical nature of our world through a series of compelling sculptures. Inspired by the poignant words of her great-aunt, “This world is a wilderness,” Streett delves into themes of beauty, suffering, temptation, and hope. Her work features relief sculptures of poisonous plants, symbolizing the fine line between life and death, and figures and portraits that narrate the human experience in a world that is both broken and beautiful.
Streett’s sculptures are deeply rooted in Christian theology, reflecting the tension between the freedom from sin and the ongoing struggle within a world that is not yet fully renewed. Her art captures the essence of living in a wilderness that is filled with glimpses of promised restoration, life, and beauty amidst chaos and danger.
About the Artist: Allison Streett creates expressive, narrative sculptures in clay to be cast in bronze. Through the language of the human form, she tells stories of human suffering and hope, alienation and connection, doubt and faith—the broken beauty of the human experience. Her work often focuses on the feminine and maternal perspective of war, displacement, discrimination, and prejudice. In addition to commissioned portraits, her recent work includes a series of self-portrait masks exploring the challenges of motherhood and personal identity.
Allison has worked in the tradition of figurative sculpture for over two decades. Specializing in portraits and figures cast in bronze, she has received local and national recognition in many group exhibitions and competitions. Among her recent awards, in 2023 her portrait entitled Introspect won the Gloria Spevacek Award at the 126th Catharine Lorillard Wolfe Art Club Open Exhibition in New York City, and Becoming won second place in the National Sculpture Society Texas and Oklahoma Exhibition. In 2022, How the Light Gets In was awarded the Harriet W. Frishmuth Memorial Award for Bronze Sculpture at the 125th Catharine Lorillard Wolfe Art Club Open Exhibition. Her sculptures were featured in the Annual National Sculpture Society Awards Exhibitions in 2023 and 2021, Emerging Stars in American Sculpture hosted by the National Sculpture Society at Brookgreen Gardens, and the Portrait Society of America’s Tri-State Competition in 2019.
Currently based outside of Fort Worth, Texas, Allison is the daughter of a poet, the mother of six fascinating children, and the wife of a Biblical scholar. In addition to sculpting and home-educating her children, she enjoys being outside and reading poetry, literature, theology, and philosophy, from which many of her artistic inspirations spring.
Regular Gallery Hours: Monday - Friday: 9:00 AM - 5:00 PM
Contact Information:
Ira M. Taylor Memorial Gallery at Frost Center for the Visual Arts
Hardin-Simmons University
2341 Cedar Street, Abilene, TX 79698
Phone: (325) 670-1941
Email: art@hsutx.edu
Oaxacan Gold, Illuminating Mystical Mexico
Oaxacan Gold, Illuminating Mystical Mexico by Greg Davis, July 25 - September 17, 2024: Jane Adams Breed Gallery, Gallery 4, Alice + Bill Wright Photography Gallery
Reconstructions
Reception: July 19, 5-7 PM
Reconstructions is an immersive art installation by Bryan Vause brought into being by pulling places and scenes from the artist's memory and recreating them using only second hand cardboard and duct tape. The gallery consists of cardboard sprawling from the walls and floor, giving a loose border to each scene. Within these sections are objects pertinent to each scene constructed imperfectly but with intent.
This installation brings seven scenes from the artist's memory into an immersive space, giving viewers the opportunity to step into a facsimile of the areas they were inspired from. The imperfect nature of the construction materials seek to mirror the imperfection of recollection, and the fallibility of memory. The spaces themselves range from intimate living areas to dreamlike mixtures of objects and beckon the viewer to inspect the construction of each location
LeUyen Pham Came Along
Featured CALF 2024 artist!
LeUyen Pham (pronounced “Lay-Win Fam”) was born in Saigon (now Ho Chi Minh City). Her family left in the final days of the Vietnam War and settled in Southern California. LeUyen spent two years at UCLA studying political science when she decided to take an art class. Impressed with her work, the head of the art department guided her toward the prestigious ArtCenter College of Design in Pasadena, where she majored in illustration. After graduation, LeUyen worked for DreamWorks’ Feature Animation division as a layout artist and illustrated books on the side.
Her book career took off, and she left DreamWorks to write and illustrate full time. Today, LeUyen is a New York Times Bestselling author and illustrator of more than 135 books. She illustrated the Vampirina Ballerina picture book series by Anne Marie Pace a Disney Junior animated TV series. LeUyen and Shannon Hale co-created the groundbreaking, best-selling graphic novel memoirs Real Friends, Best Friends and Friends Forever, and they teamed up for the best-selling picture Itty-Bitty Kitty-Corn series. Her book “Bear Came Along” by author Richard T. Morris received a 2020 Caldecott Honor. LeUyen and her family live in Los Angeles, and she says her friends call her “Win.”
Artist Member Group Show
June 6-July 20, 2024
Artist Member Group Show
Main Gallery and Gallery 4
West Texas Photographic Society Annual Exhibition
● West Texas Photographic Society Annual Exhibition, through July 20, 2024: Alice + Bill Wright Photography Gallery
NOTE: This exhibit will come down temporarily during CALF June 13-16
Terry Browder
“Art in Context”
Art by Terry Browder beautifully staged with furniture and accessories
Main Gallery
Reception: April 19. 2024, 5-8pm
Visual Journey: Two Lakes
April 4-May 25, 2024
“Visual Journey: Two Lakes”
Sandra Hastings
Photo Gallery
HSU Student Art Competition
The Ira M. Taylor Gallery at Hardin-Simmons University to present the annual student art competition with a reception and awards on Thursday, April 4th, 5pm-6:30pm.
From March 25th - April 5th 2024, The Hardin-Simmons University Art Department, Ira M. Taylor Memorial Gallery, is hosting its Annual Student Art Competition Juried this year by Rebecca Bridges, director of the Center for Contemporary Arts in downtown Abilene.
The exhibition will feature a variety of artworks produced by students from the HSU art program spanning a variety of creative disciplines, mediums and styles.
There will be a public reception with the guest juror present at the gallery for discussing and distributing awards on Thursday, April 4th, 2024 from 5:00 – 6:30 pm.
The reception and awards ceremony will also be broadcast via instagram live on the art programs instagram account hsutx.art
Excavating in Paint
Join us as Signature Artist Member and expressionist painter, Patty Rae Wellborn shares her distinctive style in a new body of work.
Opening reception: March 1, 5-7PM
Joshua Hagler Nihil II / Nor the Moon in its Water
In the OJAC Cell Series
Joshua Hagler
Nihil II / Nor the Moon in its Water
Joshua Hagler’s Nihil II / Nor the Moon in its Water, is the second in an ongoing series of exhibitions informed by imagery inspired by the artist’s visual encounters while traveling in New Mexico as well as childhood memories related to the loss of a younger brother. For this Nihil iteration, Hagler duplicates his drawings and sculptures, and then presents the versions within the two cells of the OJAC's jail structure. As a result, each becomes a shadow or reflection of the other. Hagler states that “one could think of the installation as two exhibitions—one as the deteriorating memory, or a dampened echo of the other.” He admits that any specific meaning in the work is of less importance than what is experienced during its making and also when it is viewed.
The 2024 Cell Series of exhibitions is generously supported by Paula & Parker Jameson and the McGinnis Family Fund of Communities Foundation of Texas with additional funding from Jay & Barbra Clack, Kathy Webster in memory of Charles H. Webster, and Dr. Larry Wolz.
JOSHUA HAGLER, Dance Hall I, 2018 – 2023, graphite, charcoal, oil, pastel, wax on found student whiteboard. Courtesy of the artist and Cris Worley Fine Arts, Dallas, TX.
JOSHUA HAGLER, Dance Hall II, 1981-2023, graphite, charcoal, wax on found Baptist instruction book page. Courtesy of the artist and Cris Worley Fine Arts, Dallas, TX.
Center of Attention: Selected Acquisitions from the Past Decade
Center of Attention
Selected Acquisitions from the Past Decade
February 17 – May 18, 2024
The Old Jail Art Center’s permanent collection began with 325 works of art gifted from co-founders Reilly Nail and Bill Bomar. Through additional gifts, bequests, and purchases, the OJAC holdings now include over 2,300 objects ranging from ancient to contemporary art. Center of Attention presents selections from the 132 works accessioned over the past decade. Close observers will recognize the OJAC’s ongoing commitment to connecting the core collection of mid-20th century works by Fort Worth Circle artists to a wide range of work by contemporary artists—specifically those with a Texas connection. Sixty-two works have been selected for this installation, divided almost equally between works made prior to 1960 and since 1960. The earliest work dates back to 1908 and the most recent works were created in 2023. Collectively, the exhibition demonstrates the thoughtful and committed growth of the museum’s holdings, capturing our collective history in art for future generations.
Featuring works by
Bale Creek Allen | Seth Alverson | Charis Ammon | Scott Barber | David Bates
Dennis Blagg | Christopher Blay | Charles Peter Bock | Matthew Bourbon
Natasha Bowdoin | Cynthia Brants | Colette Copeland | John Robert Craft
Matthew Cusick | Jason Cytacki | Bill Davenport | Kelly Fearing | Heyd Fontenot
John Fraser | Francesca Fuchs | Karla Garcia | George Grammer | Sam Gummelt
Trenton Doyle Hancock | Luke Harnden | Joseph Havel | Kirk Hayes | James Hough Wade Jolly | Clinton King | Matt Kleberg | Marjorie Johnson Lee | Blanche McVeigh Margaret Meehan | Leigh Merrill | Reilly Nail | John Pomara | Chris Powell
Frank Reaugh | Dickson Reeder | Linda Ridgway | Kurt Roesch | Georges Rouault Derrick Saunders | Emily Guthrie Smith | Earl Staley | James Surls | Ed Storms
The Art Guys | René Treviño
Center of Attention is generously supported by Anonymous, John & Ginger Dudley, Margaret & Jim Dudley, Kate & Charles Ferguson, Becky & Ronnie Nail, Betsy & Mike Parsons, and Jon & Dale Stasney.
RENÉ TREVIÑO, Smiling Monster, 2018, acrylic, gold leaf, and rhinestones on paper. Collection of the Old Jail Art Center, Museum purchase. 2019.012
For the Love of the Land: Painting the Texas Landscape
For the Love of the Land: Painting the Texas Landscape
First Floor, Main Gallery
PROCESS: HSU Art Faculty Exhibition
PROCESS: Art Faculty Exhibition, will be on display in the Ira M. Taylor Memorial Gallery at Hardin Simmons University from Feb 12 – March 8.
The exhibition features a collection of works and creative experiments addressing the nature of the creative process by the faculty of the art program at HSU including: Caleb Dulock, Steve Neves, Jay Hendrick, and Thomas Evans.
There will be a public reception with artists present at the gallery for a discussion and Q/A session of their work on Wednesday, March 6, from 5:00 – 7pm.
Gallery Hours : M - F 8-5pm. – Hardin-Simmons University, Frost Center for the Visual Arts, 2345 Cedar St. Abilene Tx.
Jason Chin
Caldecott medalist Jason Chin is the author and illustrator of many acclaimed books, including Grand Canyon, Redwoods and Your Place in the Universe. He received the 2022 Caldecott Medal for Watercress, by Andrea Wang and a Caldecott Honor, Sibert Honor, and the NCTE Orbis Pictus award for Grand Canyon.
Kaleidoscope Colors
Experience Signature Artist Member, Peggy Shepherd’s vibrant photography for her second solo exhibition.
Feb 8, 2024 – Mar 30, 2024
“In this series of photographs, I explore the vibrant spectrum of color, pushing it to its limits and beyond. A simple white flower transforms into a kaleidoscope of hues. The photographs for this exhibition unexpectedly chose me, diverting my initial direction for my sophomore solo show.
This collection symbolizes a personal journey of change, as I transitioned from the soft, gentle colors of my first solo exhibition to fully embracing the saturated colors of my imagination.”
Reception 5-7 pm Feb 16
Cultural Heritage Exhibition – Black History Month
HISTORY EXHIBITIONS
Cultural Heritage Exhibition – Black History Month
Third Floor, History Hallway
Investigating the Non-Narrative
Investigating the Non-Narrative, a collection of Watercolors and Oils by Carol H. Fairlie
Horses of Revelation
A new exhibit featuring ACU alumnus Rolando Diaz opens at the Center for Contemporary Arts in downtown Abilene.
You probably have seen Rolando's work before and don't know it. He did the mural on the side of the Thomas Everett's building at South 1st Street and Cedar St. He also did the massive canvas of running horses that's on the first floor of the Enterprise Building.
This new exhibit features his 'Horses of Revelation.'